Contact angle is a simple and yet powerful tool for characterizing three-phase junctions. The technique of the sessile drop is today the most widely used method to measure this parameter. The commercial softwares available today are still very limited. They are often dependant of one measurement setup, and may fail under non-standard conditions. We propose, here, a new method based on B-spline snakes (active contours) for measuring high-accuracy contact angles. This method has been implemented as a Java plug-in for the ImageJ software and we make it freely available. See the "free software" section to download. ReferenceA.F. Stalder, G. Kulik, D. Sage, L. Barbieri, P. Hoffmann, "A Snake-Based Approach to Accurate Determination of Both Contact Points and Contact Angles," Colloids And Surfaces A: Physicochemical And Engineering Aspects, vol. 286, no. 1-3, pp. 92-103, September 2006. Main Features
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![]() A drop ![]() DropSnake Measurement ![]() LB-ADSA Measurement | |||||||||
Free software for high precision contact angle measurementThe software is based on a plugin for ImageJ, a general purpose free image-processing package. ImageJ has a public domain licence; it runs on several plateforms: Unix, Linux, Windows, Mac OS 9 and Mac OS X. 1. InstallationGet a copy of ImageJ. and download the plugin drop_analysis.zip. Extract drop_analysis.zip in the "plugins" folder of ImageJ. All the files should extract in a new folder "drop_analysis". The whole process should not take more than a couple of minutes. 2. How of useOpen a drop image. Ensure that the image is grayscale. In the "plugin" menu, go under "drop_analysis" and choose one of the two methods: "LB_ADSA" or "DropSnake". |
Download
drop_analysis.zip(452 kb) | |||||||||
3. Contact | ||||||||||
4. Conditions of useYou are free to use this software for research purposes, but you should not redistribute it without our consent. In addition, we expect you to include adequate citation whenever you present or publish results that are based on it. | ||||||||||
5. Screenshot
Thanks to Laura Barbieri and to Marco Brugnara for the images. | ||||||||||